Ever feel like some has borrowed your life and put in fiction form? Olive (an architect) and I (an artist) share a lot of the same traits. A LOT. There's the conflicting fear and desire to be known; the fear of failure, which can be debilitating, right along side the stress of success, which is almost worse (at least when you fail, you can crawl back into hiding). Olive faces the imposter syndrome of one who hasn't gone to school for one's job (me again). And like Olive, I've even used relatives as a face man to handle the talking. And we each might be practical and a wee bit stubborn.
Suffice to say, I really connected with the character.
But besides that, it's just a really good story. It's largely a love story between two people dealing with grief in opposite ways, yet that grief allows them to connect on a deeper and more sincere level than they can find elsewhere. Maxwell, even with his snobbish faults, is an appealing hero. I even kind of liked Ruby, Maxwell's initial love interest who's doomed to be kicked to the curb. Usually when there's The Other Woman involved, she's pretty awful, even if the hero doesn't see it at first. Ruby is definitely not a good fit, but she isn't awful; she's actually pretty great with the kids, but she's immature yet, and neither her heart nor her ambitions are centered on Maxwell.
All in all, it was an excellent conclusion to the Joplin Chronicles.
Joplin Chronicles
1. Courting Misfortune
2. Proposing Mischief
3. Engaging Deception
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